The Monkey of McMicken – published April 1, 2005

This recounting of the fable of the monkey of McMicken Island was recently told to me by Scooter McMicken, a resident of Herron Island and the great-great-great-great grandson of Jedidiah McMicken, who was the first to claim McMicken Island back in the 1800s. Rumored to be a summer getaway for Bigfoot family reunions, Jedidiah found several Bigfoot abandoned lairs, scattered with oyster and clam shells, along with some primitive cave art. Today the island is a state park and getaway for boaters, a perfect location for a vagabond monkey by the name of Humphrey. This is his story…

Humphrey was a very unlucky monkey, or was he?

Humphrey was a very smart monkey, that’s for sure. He came from good primate research monkey stock. His research team could trace Humphrey’s lineage to Michael Jackson’s monkey, Bubbles, and even as far back as Ronald Reagan’s monkey, Bonzo.

Michael Jackson's chimp Bubbles 'tried to commit suicide, was beaten and  self-harmed' - Mirror Online
Bubbles at gala event
Amazon.com: Ronald Reagan Photo Hollywood Movie Star Photos 8x10:  Photographs: Photographs
Bonzo with Ronald Reagan

So you knew when you met Humphrey there was something behind those eyes contemplating greater things for himself.

In the meantime Humphrey had to content himself with life at the University of Washington’s primate research laboratory. Great things were happening and he was the star of a research program that was on the very cusp of enabling chimpanzees to speak. It was very exciting times at the lab and the elite research team was breaking new ground.

You see, they were working closely with another research team at the university pioneering artificial intelligence. They had developed a process that, through computer algorithms taught to the chimpanzees, would allow the experimental chimps to speak perfect English. That is, if they could only get the chimpanzees to concentrate.

238 Monkey Computer Photos and Premium High Res Pictures - Getty Images
Humphrey working on computer at university
Humphrey developing his math skills

They had made great strides with Humphrey. He learned basic math as well, and was good with the money he received in the form of treats. And he even got pretty good at picking stocks in the stock market, usually involving bananas and other food item commodities.

Well, anyway, Humphrey (who, by the way, was named after Humphrey Bogart), just couldn’t seem to get the language down. Try as he might, Humphrey did not seem able to make the final revolutionary evolutionary leap forward to spoken language.

His research team hit on a new idea. “I’ve got it!,” exclaimed Dr. Dewey one day as Humphrey was reviewing stocks on his online trading account. “Let’s have him watch all his namesake movies, and his favorite actor, Humphrey Bogart.” “Well,”said Dr. Cheatham, “That just might get him to say a few movie lines at any rate.” “Agreed,” nodded Dr. Howe.

So they sat Humphrey down in the chimpanzee movie theater donated by the Institute for Simian Research in Sequim, Washington. This is where all the monkeys would watch Monday Night Football and Friday night movies together in between National Geographic and Hallmark films, which they loved. They would usually fling banana chips and apple slices at the screen when their favorite team was losing or if the movie was a dud.

Humphrey started watching the African Queen, Casablanca, Treasure of the Sierra Madre, and well, frankly, just about any Bogart movie you can think of. To really help him think more about getting the words down, they bought him a fedora hat just like Bogart wore, although his was a bit less formal.

In trouble with the Hat monkey | The Fedora Lounge
Humphrey with his fedora
Amazon.com: Humphrey Bogart wearing a fedora Photo Print (8 x 10): Home &  Kitchen
Bogart with his fedora

He really started getting into the role of Bogart and this greatly encouraged the research team. “Why, just look at him!,” exclaimed Dr. Rottweiler as she observed Humphrey one day pacing back and forth in the research lab’s two acre jungle which had been donated by the Foundation to Advance Chimpanzee Intelligence in Washtucna, Washington. Humphrey strolled along, sucking on his pipe in quiet contemplation, “I do believe he is starting to think he’s actually Humphrey Bogart!”

This continued on for several months until Humphrey had watched every Bogart movie multiple times. Aside from developing an obvious crush on Catherine Hepburn not a word was uttered from Humphrey’s mouth. He would do his computer labs with the artificial intelligence software, pick his stocks, work on math problems, but, alas, nothing was said.

Time was running out. The research grant (donated by the International Foundation for Monkey Freedom) was almost out of money because the nonprofit was cheap and Humphrey had refused to do an infomercial for them.

So finally the research team had to pull the plug on the project and recognize that Humphrey, as brilliant as he was, would not utter a word out loud even if his life depended on it. “It’s a shame,” said Dr. Rottweiler, tears running down her cheeks as she strolled with Humphrey through the garden on their way to the fully stocked cafeteria (donated by the wildly successful company allthingsmonkey.com). Humphrey nibbled on a banana and an apple and drank a smoothie while they sat by the artificial waterfall (donated by Gorilla Glue, Inc.), each lost in their own thoughts.

November was coming and it was time to donate Humphrey to an animal shelter or wildlife park. After much discussion, Drs. Dewey, Cheatham and Howe proposed to Drs. Rottweiler and Gottlieb that they donate Humphrey to the Olympic National Wildlife Refuge. There were all sorts of animals in the refuge, and Warren Harding’s great-grandson Biff, who was quite impressed with Humphrey’s approach to picking value-oriented stocks, agreed to build Humphrey his own special compound, replete with a cafeteria, movie theater, and Bogart-themed bedroom. The research team unanimously agreed that this would be best for Humphrey.

First they had to make sure that Humphrey would be well equipped for the trip to the wildlife refuge. They got him some rain gear, a backpack with camping supplies and food. Over a few evenings of excellent banana cream pies, lots of laughter, and Bogart movies, they prepared Humphrey for the long journey that lay ahead.

Is ever going to stop raining | Chimp, Chimpanzee, Rain
Humphrey preparing for his journey

The rains came in November and it was particularly stormy on the day that they loaded Humphrey into the van along with Drs. Gottlieb, Rottweiler, Dewey, Cheatham and Howe. They all wanted to be along for the ride and make their final goodbyes to Humphrey, all wishing silently to each of themselves that he would actually say, “Goodbye.” Because then they would know he could speak and they could turn around and publish their findings and Humphrey would be famous.

But alas, it was not to be for the unlucky monkey. They drove south through Seattle in the pouring rain down to Tacoma, and then Olympia. Heading north up Highway 101 and then Highway 3 they continued in the driving rain and wind toward the refuge. Dr Cheatham had to use a restroom. They found a restaurant in a very deserted spot while the rain poured down, the windshield wipers on full speed, headlights stabbing the quickening darkness, and all around them black, dark, menacing forest.

“My God it’s desolate out here, isn’t it chaps?,” said Dr. Dewey. The doctors piled out of the van and ran into the restaurant to get out of the pouring rain and find the restroom and grab a bite for Humphrey. He was particularly fond of hot dogs and Diet Coke.

A monkey gets older... and older... | Page 2
Humphrey’s older brother Clyde enjoying Diet Coke at his birthday party

But Humphrey had other ideas. Grinning to himself he clambered out the back door, and in the pouring rain headed into the gloomy forest. He knew where he was going since he had been learning navigation skills and using his iPhone maps. Humphrey threw the backpack over his shoulders and pulled his slicker hood on tight. He had some walking to do.

Eventually working his way east he came to the bridge at Harstine Island. Black as the soul of hell itself, the rain pouring down, and the wind blowing ferociously up Pickering Passage, Humphrey leaned into the storm and crossed the bridge onto Harstine Island. No one was driving on such a motherless night and he made his way easily onto the island, stopping only here and there to get his bearings.

As daylight broke the rain and wind abated and he finally saw his destination, McMicken Island. The tide was high, so he sat down under the cover of a madrona tree on the beach and took a short rest. He breathed in the salty sea air and waited for the tide to go out.

Mysterious McMicken Island

After a nap he awoke to bright sunlight and sparkling water. McMicken Island beckoned him and with the tide now at low ebb he easily crossed the sandspit onto the island. There he found a state park and he moved quietly so the few boaters anchored at the state park would not notice him. He then began exploring the island. He knew from his research that this was an ancient Bigfoot holiday spot in days of old.

Exploring further, Humphrey found what he was looking for; the best hideaway of all the Bigfoot creatures, Sir Sasqautch’s private den. It was very well hidden and he climbed down into the sanctuary and laid his gear down. This is where Humphrey would stay. Outside of the lair was a beautiful view looking east toward another island, Herron Island. Humphrey was intrigued because he could see cabins and people strolling the beach. He missed humans and thought to himself, how might I get over there?

Picture of Sir Sasquatch, ca. 1932

Over the winter months and into early spring, Humphrey taught himself how to fish, how to go clamming and gather oysters, and discovered the best places to go beachcombing for shells and other seashore treasures. On clear days, the water sparkled like a million diamonds, porpoises jumped playfully out of the water, orca whales swam by in their pods chasing salmon, and eagles and ospreys flew in high in circles above the island.

One day during the following summer, Humphrey was strolling the beach and spied a canoe that had washed ashore after a storm. In the canoe was an oar. Humphrey pulled it up onto the beach and covered it with ferns and branches so no one would see it. That night, under a full moon where the phosphorescence in the water glowed mysteriously, Humphrey left his Sasquatch lair and pulled the canoe out and into the water.

He paddled quietly toward Herron Island. It was not that far away, and on this still moonlit night he could easily find his way. After paddling across Case Inlet Humphrey came ashore by an oyster bay. He could see lights up above in some cabins and he avoided those because he was on another mission. Although he was well fed by the clams, oysters, cutthroat trout and salmon that he caught, he greatly desired hot dogs and Diet Cokes.

So he pulled his canoe up onto the south beach and made his way quietly toward a darkened cabin. When he was at the research lab Humphrey had taught himself how to pick locks. Being extremely dexterous, this was not hard at all, so he had a simple plan to pick the lock of a darkened cabin and see what kind of goodies he could find.

In one of the cabins he found exactly what he was looking for in the freezer: a pack of hot dogs. Taking a pillow case off of a pillow in the cabin bedroom, he threw those in, along with some buns and Doritos and Diet Cokes. Content with what he had, he carefully closed the door, being sure not to leave anything amiss, and headed back to McMicken Island.

As fall approached word started getting around Herron Island about a mysterious thief who had a particular hankering for hot dogs and Diet Coke. Other food items went missing too, including candy bars, nuts, chips, and sparkling water. Yet no one was able to identify the mystery thief. Humphrey liked to keep it that way. He only went on moonless nights and by cover of total darkness, where he could see just fine but humans could not. He knew where the dogs were and stayed away from them. He liked the deer and made a special effort to find treats for them, so carrots and bananas and apples would go missing as well.

As the days grew shorter Humphrey prepared his lair for the coming winter storms. He was quite comfortable. One night he paddled over to Herron Island looking for some winter clothes that he had spied on a couple previous cabin searches. It was getting cold and he wanted to make sure to stay warm in the coming months.

He paddled over earlier than normal, right before sunset, because few people were on the island in the fall and it was much quieter. He pulled his canoe up on the beach and began making his way up the trail to the cabin he had in mind. It was a nice little cabin with red trim and a green door and a friendly family with nice friends that he had spied on a few times during his evening adventures. Once, he saw a couple of boys pitch a tent outside the cabin with their father, and he watched them for a very, very, very long time from his hidden spot in the huckleberry bushes.

Drs. Gottlieb, Rottweiler, Dewey, Cheatham and Howe had come out to Herron Island for a Thanksgiving vacation. Their research project was completed. Unfortunately their grant funding had finally run out and they needed new sponsors. So they contacted a friend on the island with a rental cabin and decided to have a mini retreat while they plotted their next research effort. They thought orangutans might be receptive to their research efforts and were in the process of acquiring one who was exceptionally intelligent by the name of Jojo.

Secrets of orangutan 'language' uncovered - BBC Science Focus Magazine
Jojo the Organgutan

Out for a walk on the island one fine evening, they decided to go down to the lower deck of the friendly family nearby. They knew the family well since the mother and father had both worked at the world famous Battelle Memorial Institute in Seattle, were well renowned for their outstanding research and writing skills, and their daughter was the most beautiful, intelligent and precocious girl on the island.

Talk on the lower deck turned to Humphrey. It had been almost a year and all of them missed Humphrey greatly. “So sad,” said Dr. Rottweiler, recalling her lunch long ago with Humphrey. She missed him the most. Drs. Dewey, Cheatham and Howe recollected some of Humphrey’s amazing skills. In fact, they had followed his stock picking closely and made a fair amount of money off the monkey. And of course Dr. Gottlieb pondered his little friend’s fate, hoping that he had somehow prevailed after leaving them on that dark, miserable night.

As the sun set into a glorious palette of deep blue, red, pink and yellow skies over the calm waters of Case Inlet, Humphrey moved silently up the trail. Then he heard distinct, familiar voices. He stopped cold in his tracks when he heard Dr. Gottlieb’s voice, saying “I wish I could hug Humphrey right now.” He approached quietly, overhearing their conversation, recalling what good researchers they were, and how good they had been to him. He moved closer, and then, when conversation paused for a moment, he walked onto the deck and sat himself down at the picnic table.

They gasped as one. “Humphrey!,” exclaimed Dr. Dewey. “How are you, old boy? You look fantastic!” Each spoke out in unison and Humphrey gave them all the biggest grin he could muster.

Chimpanzee Smiling Gifts on Zazzle
Humphrey reunited with his research team

Once the excitement had settled down a bit, they all sat back down again in a circle on the deck watching the sun finally set over McMicken Island. Dr. Rottweiler stared lovingly at Humphrey, walked over, sat down and put her arm around his shoulder.

Taking in the glorious sunset, happy to be reunited with his research team, looking proudly upon his island home across the water, Humphrey turned to her. He gazed lovingly in her eyes, then said in his very best Bogart imitation, “Hey baby, how you doin’? I’m fine.”

Maybe Humphrey wasn’t such an unlucky monkey, after all.

The END

McMicken Island, as seen from Herron Island

Rainier Chautauqua

2nd Climb – each step we take is a gift (in dedication to my mother)

In 1996 my mother died from Lou Gehrig’s disease, or ALS. ALS is amyotrophic lateral sclerosis, a disease that causes the death of neurons that control voluntary muscles, ultimately resulting in total paralysis. The bitter irony is that the mind is perfectly fine, all the way until death. You are mindfully trapped over the course of several years as your body decays until your lungs can no longer sustain breathing, followed by suffocation and death. A truly wicked fate.

I often thought about my mother’s disease, wondering if there is any connection to Hanford, now the world’s most contaminated radioactive waste site in the world. She met dad in the late 1950’s after emigrating from Ireland, the oldest girl in a family of eight children from County Mayo, born on St. Patrick’s Day. Her mother was known as Mamie Joyce, her father Patrick Henaghan, a farmer and landowner. Their family survived the Famine; my rough understanding is that they were accomplished and relatively secure, relative given the grim poverty the country endured during the depression and postwar. My great grandfather built the church on the Reek, Croagh Patrick. When visiting Ireland my uncles would proudly point out land that had been in the family for generations, bridges and houses built, relatives who were doctors, lawyers, people of prominence, and emigrants like mom.

Mom emigrated to New York in the early 1950s for surely what would a woman of strength and character achieve in what was then an extremely patriarchal culture? Her oldest brother was the favored one; he became a renowned doctor in Newfoundland. The second oldest brother became a priest who came to America. And what would become of Mary? A nun? A caretaker for the younger siblings? She headed for the United States. There are so many questions I have for her about that courageous and fateful decision that remain unanswered to this day.

Her certificate of naturalization is dated April 6, 1954 (coincidentally the same day as my father’s birthday). My father was at the time a chemical engineer at the Hanford site producing weapons-grade plutonium; mom was employed for GE as a secretary in New York City. Her brother was then a priest assigned to the wilds of eastern Washington. He introduced my devout Catholic father to her while pastor at Grand Coulee, and the rest, they say, is history.

My mother Mary raised five children in the hot (sic) southeastern Washington desert town of Richland at a time when the Hanford site released radioactive contamination across the desert, agricultural fields and towns while producing weapons-grade plutonium. After mom died in 1996 my father suffered and recovered from stomach cancer. A brother survived another cancer. The cancers, my mother’s ALS, other chronic family ailments. Could there be a connection to Hanford?

The Mountain has been home to these thoughts over the years on many trails, switchbacks of thoughts leading upward in a search for answers where glaciers now recede under cobalt sky. Thinking of Richland, home is a curious notion.

We were children of the nuclear defense complex, born and raised in Richland, Washington, a city spawned by the federal government for the sole purpose of building nuclear weapons-grade plutonium to annihilate the Japanese in World War II, and then if need be (and by God, the Richland community was willing) the Russians. The focal point of my existence was atomic energy and fission, the splitting of atoms and communities.

Until I was five we lived in an older part of Richland, “older” a relative term confined to the past twenty years of the town’s existence. My family lived in a ranch house on Cottonwood Drive, World War II tract housing built and paid for by the government to house Manhattan Project and Atomic Energy Commission employees. Like the name suggests, Cottonwood Drive had trees of the street’s namesake, an unusual landscape feature in eastern Washington since the natural landscape is mostly scrub desert and sagebrush. The cottonwoods were planted to shield the town from the dust that blew during construction of the Manhattan Project. Yet Richland is really scrubland desert. The most romantic appellation for the area is a winery in Benton City called Kiona, an Indian name meaning, “Brown Hills”. 

Richland area, 1984

I have wonderful childhood memories of that small rambler “ranch house” constructed by the federal government. It is there where I made childhood friendships in the cool shade on 100 degree days. My parents, myself and three brothers lived there until my sister, the fifth child, arrived. My father then bought a 3,500 square foot split-level in north Richland that was selling for $30,000 in 1968. With an open floor plan and fighting siblings, I hated it and always missed the ranch house. 

North Richland

The city center—if such a place truly existed, for it was really only a geographic point, not a cultural center—was the Federal Building, where government bureaucrats continue operating the Hanford nuclear energy complex, its new mission now to clean up the massive radioactive contamination.  From an economic perspective I would assert it’s the greatest Keynesian project ever created; irradiate a massive area with radioactive isotopes over a few decades with half-lives numbering in thousands and millions of years, then spend decades and billions of taxpayer dollars trying to clean the mess up. Brilliant economic development strategy.

When visitors came, my father invariably suggested a visit to the Hanford Science Center. There we operated a robotic arm used to simulate the handling of plutonium and were given irradiated marbles as souvenirs. It was a strangely insular town; we rarely visited the neighboring farming and ranching communities that comprise the eastern Washington landscape. Richland had nothing in common with these communities.

Growing up in a suburb without a city, Richland lacked the social fabric normally associated with an agricultural or industrial base, or indeed, any town with any sort of history. When your social history is based exclusively on creating weapon-grade plutonium whose sole use was mass destruction—or today, cleaning up the mess left behind—then simple things like 4H, annual parades, community history, and museums are totally lacking or weak in comparison to an older town that has at least been on the map for 50 years, let alone a century a two. 

Rattlesnake Mountain

Our history was recent, but forever changed our future. The cold warriors were still alive when I came of age. The flash of white light in New Mexico and the annihilation at Hiroshima and Nagasaki were pages in our grade school history books, recent memories confined to the chilling dust. Eighteen years had passed between the bombing of Hiroshima and the time I was born in 1963, a mere breath in the life of plutonium. But in human terms, the Cold War in Richland was a golden age, Arthurian in its quest for domination over our enemies, a holy war of technology steeped in goodness. We were the sons and daughters of the creators of the most powerful human creation, fission. It engulfed our hearts, our souls, our bodies, even the names of our storefronts. 

Radiation was in our kitchen. As mom cooked dinner, dad regaled us with the promise and benefits of nuclear inventions, eyes bright with the telling of newly published research taking place at the Hanford laboratories. It was in our homes, literally. Workers carried radioactive material back in their clothes into their homes or radioactive materials mixed with the dust that blew constantly over Richland throughout each successive construction phase. It became literally a part of us. To this day I can only wonder if Hanford caused my mother’s death from Lou Gehrig’s disease, a brother’s cancer, my father’s cancer. 

Radiation was in our churches. In our congregations on Sundays, we prayed for strength and redemption and power against the communists while protecting our way of life. 

Radiation was in our stores and our streets. Atomic Lanes. Atomic Dry Cleaners. Proton Lane, Argon. Memorialized war generals on green street signs crossing Richland in a militaristic grid. Patton, McArthur, George Washington Way. Leslie Groves Park. 

Radiation was in our schools. We were the Richland Bombers and the Hanford Falcons. “Nuke ‘em till they glow” was an idiom I remember from high school. When your mascot is a mushroom cloud, all others pale in comparison. 

I went to Hanford High School while new students from other places arrived constantly during the boom period of commercial nuclear power plant construction in the 1970s amid renewed attempts to continue the military mission. A small contingent of kids were from outlying farming communities but mostly we were the children of scientists, bureaucrats, doctors, and lawyers from the American national laboratory complex—Los Alamos, Oak Ridge, Savannah River, Brookhaven. 

We were privileged as teenagers, bereft of any history or sense of community. The desert offered us places where keggers and parties were held in primitive rituals of bonfires, teenage sex, alcohol and drugs. But the music was great – AC/DC, BTO, Petty, Zeppelin, Stones. In the distance away from the glare of the bonfire and the four-wheel drive pickups you could see sodium lights illuminating some of the most sophisticated inventions created in history. Neanderthals with nuclear power. 

Growing up in Richland during the 1970s, the glow of what we had burned in Japan was rubbed to a patina, a trophy hung in memory of a great battle won and cherished. Now we had turned the radioactive swords into a plowshare of progress, nuclear energy. In an age of energy crises, inflation, and Malthusian nightmares, we held the candle that would never stop burning, nuclear power, peaceful nuclear energy the Department of Energy public relations staff constantly reminded us. This promise would redeem Richland, make it whole again for sins we would never make whole, let alone talk about or understand in their enormity against people and the planet itself. 

And so we feverishly turned our energy to that promise, tried to build five nuclear power plants in Washington State that would show the world what it meant to live clean, free, and beautiful with peaceful nuclear energy. But the dream was corrupted by cost overruns, drugs, Wall Street investors, and a multi-billion municipal bond default, the largest of its kind in U.S history by Whoops, the Washington Public Power Supply System (WPPSS). And then came Three Mile Island, Chernobyl, and radiation leaking into the Columbia River. 

WPPSS
Columbia Generating Station, originally Washington Public Power Supply System, aka WHOOPS, circa 1980s

As teenagers, we were more interested in learning the intricacies of adolescent sex and drugs than the chain reaction of fissile materials in a power plant. We weren’t the workers who died of strange cancers from building graphite blocks and operating the plutonium production reactors. We weren’t the scientists who marveled for the first time at the beautiful horror they had created. We weren’t the generals who righteously unleashed the terror, then replicated it. We were only children living in a desert landscape where Indians once gathered at the confluence of three rivers later discovered by Lewis and Clark, the Snake, Yakima, and Columbia. No longer imbued with the war mission or need to keep all things secret against a by then crumbling Soviet Red Scare, our community, or at least this collection of suburbs without a city, was as ephemeral as the energy it tried to capture. 

Richland’s city center, despite highway signs to the contrary, was the Area, the Hanford Site, the focal point for community, life, religion, and community wholeness, and that center was classified as secret, the key to its center held by bureaucrats working at the Federal Building, in turn controlled by their superiors in the nation’s capitol three thousand miles away. Thus the community’s sense of purpose, its reason for being, rose and fell on national security decisions rather than crop yields or factory orders.  In a quest to overcome undemocratic control through oppressive centralized government bureaucracies, the United States created Richland and other communities like it throughout the national “defense complex” that were largely undemocratic, centralized government bureaucracies. My father, a supporter of nuclear energy, with his keen sense of humor, also loved Pogo, the cartoon character who once declared, “We have seen the enemy, and they is us.”

In the fight against Reagan’s Evil Empire, we created our own communities where status was defined not by your civic contributions but by the level of your security clearance, where the success of your work was based on your academic success in nuclear physics and political access, not your ability to harvest a crop or build a house. A place where your father could not tell you what he did for a living in fear of violating a security requirement and risking government reprisal, let alone speaking out against the moral outrage of nuclear weapons or waste now threatening Richland itself and the entire Columbia River watershed. 

Home is a sense of the land, a place to settle and cherish for what it provides as well as for what is to remain sacred and untrammeled. Home is a sense of community, of people’s lives and contributions to one’s community, stories passed and threaded into a woven history through the generations in oral and written retelling. Home is a sense of a well-built house that acknowledges, accedes to, and aspires to its natural surroundings. Home is a place where you would want your daughters, your sons, and your grandchildren to thrive. 

Richland has the vestiges of community, of home. It has service clubs, churches, shops and restaurants, mostly franchises and hotel chains and “big box” retail stores owned by corporations located elsewhere. Today the Richland economy is more diversified; the wine industry is growing, it is a regional center for healthcare, and new startup companies offset the work out at Hanford.  

Yet when I came of age in Richland, the roots were as shallow as the sagebrush and tumbleweeds blowing in the chocolate brown clouds of sand that obscured the desert sky every spring when the doomed commercial nuclear plants were being constructed. Without a true center, there was no community, no natural cultural space to call one’s own, no sense of home in Richland. 

Perhaps Richland is the ultimate social equivalent of Carl Sagan’s nuclear winter, not a physical wasteland (as horrific and probable as that may seem today), but instead the place that I grew up in: a place without a true community center, a culture with no culture, a desert in which the brightest flame may burn but which we cannot control or ever safely tend.

My mother began showing symptoms of ALS, this crippling disease, shortly after my wife Susan and I married in 1991. At first we thought is was multiple sclerosis (MS), but it progressively worsened. Stairs became a challenge, then an impossibility. A cane, then a walker, then forever bound to an easy chair while my father wore out his back lifting her into and out of a wheelchair. Dad insisted on caring for her without aid until the family finally convinced him to retire and move to an assisted living facility in Issaquah, where mom spent her final days. 

I was with mom and dad at Virginia Mason medical center in Seattle the day of the final diagnosis. A process of elimination – we had hoped (!) it was progressive MS, which was at least manageable. It was not to be. The doctor gave us the final diagnosis in a small hospital examination room. She cried silently as he pronounced her death sentence. Mom passed away October, 1996 while I was preparing for my first legislative session as a staffer. 

Our daughter Claire arrived in February 1997. I had taken a job as a policy analyst for the Washington state legislature the prior summer as a non-partisan committee staffer and had spent a long legislative session trying to learn the ropes in the midst of family trials and grief and illnesses and death. We had moved to Olympia and it was a strange experience after leaving Seattle with a strong support network – don’t ask about the wisdom of this – to find ourselves alone raising our infant daughter. (Advice to future legislative staffers: think seriously about working a legislative session if you have a newborn on the way.)

In spring of 1997 my friend Knox, who I met in Australia, approached me about climbing the mountain through the Rainier Mountaineering Incorporated (RMI) guide service. Against my better judgment I agreed and my wife acceded to the request. Again,  Rainier as touchstone, a place to reconnect the pieces. It was especially powerful for me to dedicate the climb to my mother, who had lost all mobility due to her tragic disease. I felt blessed to work out, running and trying to gain strength for the climb, in memory of her. 

I could hardly say no. I met Knox as companion Rotary Foundation Scholars in 1986 at the University of Sydney. We took some amazing road trips throughout Australia together along with another Rotary Scholar from South Carolina and a host of other students we had gotten to know at International House, the dormitory where we lived. I admired Knox for his tenacity and desire always to seek out new adventures in Australia. I credit him for some amazing experiences traveling in Australia together and with others. How could I say no? 

Knox arrived from Florida. I picked him up at Sea-Tac airport and we went to Rainier and had a short camping trip. We took the RMI classes in self-arrest and prepared for the climb with about 20 others. By now I knew this would be a cattle climb up the Disappointment Cleaver route, referred by experienced climbers as the dog run.  It would not be like the first climb, five of us novices led by an experienced climber. I missed Mick and that team. The DC route as it’s called is not technically difficult though physically demanding as I knew so well from my first summit attempt eight years prior. 

On the day of the climb I was assigned to a rope team with a young guide. Looking at my long ice axe, the guide told me it was not suitable and I would need to rent a shorter axe. The axe had been my hiking companion for years on glacier hikes on the Mountain. Yes, it was more of a walking stick due to its length but I knew its feel by heart – the sweat-stained wrist band and worn patina on the axe and pick gave testimony to that – and I knew I could arrest myself and a rope team with it should we have a fall. The guide was younger than me and my obstinate nature got the better of me. I refused. He grew angry. The lead guide came over, looked at the axe, asked me a few questions about prior experience, and agreed that it would be ok to use on the climb. The rope team leader was not happy and rewarded me with the task of being last on the rope team. 

I don’t remember much of the climb – was that glorious sunrise over Little Tahoma on the first trip? or this one? Members on the rope team – one of several rope teams led up the Mountain by RMI – were strangers from around the country. Knox had been assigned to another team. I was alone in my thoughts.

My most vivid memory is, having attained the summit, Knox rested with others while I and a few others unroped and walked across the summit crater to sign the guidebook. At that point my emotions came flooding in recalling the battle that my mother had waged, and ultimately lost. With tears streaking across my face and freezing on my cheeks, I walked across the summit crater dome and found my way to the steel post where climbers sign their name in memory of the climb. That was for mom. The Mountain gave me the best opportunity to pay my last respects, and for that I am ever grateful. Home.

Trip to Rainier with mom and dad, 1991

Donate to the ALS Association: http://www.alsa.org

Some selected readings on Hanford:

Could Anything Be More Ideal?

Valentina

A labor of love underscores Larry Hibbard’s passion for Valentina, a 1919 Wurlitzer Model O photoplayer recently taking up long term residence at Chelan’s own Ruby Theatre. There Valentina reposes in all her glory on her hydraulic lift below the stage, waiting patiently for her next performance while her suitor attends diligently to her pneumatic, electronic and mechanical needs. 

A photoplayer is a musical contraption that is beguiling in its simplicity and complexity. A player piano on steroids, a photoplayer relies on paper rolls of music that can automatically enliven a silent movie or alternatively be operated by a piano player at the keys. 

The Maestro at his Machine

To add even more cacophony to the silent film adventures unfolding on the screen, photoplayers are equipped literally with all kinds of bells and whistles. Our interest of course is in Valentina, who comes quite capably equipped with a full piano keyboard, a percussion section in a cabinet to the left of the piano, four ranks of wooden pipes in a cabinet to the right, a set of bells under the keyboard, and  various sound effects operated by buttons, pedals, and switches. Brilliant potential. 

A performer sitting at the keys can add to the movie silently playing on the screen above with all sorts of percussion, wind instruments, and of course bells and whistles to perhaps underscore a chase scene, train robbery, or romantic scene. After viewing one such photoplayer maestro on You Tube, Joe Rinaudo, it’s questionable which is more interesting to watch, the now not so silent movie on the screen or the person behind the piano bench, hands pulling and pushing knobs and levers, feet jumping all over the pedals, giving the Wizard of Oz a run for his money.[1]

Enter Valentina

Larry Hibbard and Valentina

We were treated to one such impromptu performance at the museum’s 2023 annual meeting. At the event Larry Hibbard, owner of the Ruby Theatre and Valentina’s caretaker, raised Valentina on stage with a hydraulic lift that he designed and installed at the theater during the COVID pandemic. Once raised, she sits patiently as Larry carefully energizes Valentina. Under his loving care – much more orchestrated than just flipping a switch – she begins breathing through various air tubes that power and control the 88 piano keys, the bells below the keyboard, the flute pipes, violin pipes, bass drum, snare drum, castanets, horse trot, tom-tom, fire gong, electric doorbell, kettle drum, and bird whistle. A rank of wooden bass pipes provide additional depth of sound. 

Valentina Keyboard with Pneumatic Tubes and Valves

Thus prepared, Larry engages the drive for the paper roll  and an old time song begins playing. Off to the races we go, with Larry demonstrating the bells and whistles with gusto and verve. The audience laughs with delight and we are taken back to a time one hundred years ago when a silent movie would be accompanied by a Valentina and a Larry Hibbard at the keyboard. 

 Valentina Percussion Instruments

Valentina, like the Sony Walkman, eight track cassette decks, phonograph records, and my father’s 1976 Oldsmobile Toronado,[2] suffered the inevitable vicissitudes of technological progress when silent movies became talkies. In their heyday, “approximately 8,000 to 10,000 photoplayers were produced during the boom era of silent films, between 1910 and 1928. The popularity of the photoplayer sharply declined in the late 1920s as silent films were replaced by sound films, and few machines still exist today.”[3]

Wurlitzer Photoplayer Advertisement

Valentina Joins the Ruby Theatre

Larry purchased the Ruby Theatre in 1989; the 2014 History Notes article by Larry details the acquisition and subsequent restoration efforts to modernize the theater while preserving its unique standing as one of the oldest remaining movie theaters in the Pacific Northwest and the nation. Larry’s vision for preserving the Ruby and Valentina is evident in the care he and his wife, Mary Murphy, have put into the theatre to provide theatre patrons an authentic historic movie theatre experience. 

Larry is uniquely qualified: a long term resident of the Chelan valley, an architect by training and profession, and a former orchardist who became adept at solving problems with orchard equipment. A tinkerer by avocation, Larry is skilled at fixing things and, when he can’t, finding friends who can assist and of course help others do the same. 

Valentina requires such skills. With over 400 air valves, any leak will disable the machinery. Larry has replaced multiple valves and tubing. With his architectural vision and practical skills, Larry’s unique combination of experience and talents suit Valentina and the Ruby well. 

Valentina had a predecessor at the Ruby. In 1922 the Ruby acquired an American Fotoplayer – a different brand of photoplayer than Valentina  –  which was played by Dorothy Peterson. She referred to it as an organ; its fate is unknown. By the late 1920’s  “talkies” replaced the silent movies, and photoplayers became obsolete. 

Valentina was manufactured by Wurlitzer in New York in 1919, a century before Larry acquired her. She subsequently headed south to Tennessee in 1920, Chicago in the 1950s, South Carolina in the 1970s where she was rebuilt, and ultimately ended up in Kirkland, Washington. Larry found her, brought Valentina back to Chelan, and began the long restoration process through trial, error and ingenuity. 

After acquiring Valentina in 2019 during the COVID-19 pandemic, Larry designed a hydraulic lift and retractable stage floor for Valentina. He then constructed the platform with the assistance of many others locally, an amazing feat of engineering in itself. The hydraulic lift allows Larry to raise Valentina from her residence beneath the stage on a separate platform until her performance begins. Truly a dramatic entrance that builds audience excitement and anticipation. 

An Authentic Chelan Treasure

Larry’s goal is to preserve the character of the Ruby, returning the theater to what it was, photoplayer and all, a 109 year old theater with original silent movies and music. His goal is to build a sense of community and preserve a very unique historic movie house and photoplayer. 

How unique? According to Larry, Valentina, all 1,400 pounds of her, is one of a few known Wurlitzer photoplayers of its kind in operation. Larry estimates there may be only 18 to 24 working photoplayers of all makes remaining worldwide. He knows of only one person doing full restoration who lives in Gold Beach, Oregon. A person in Florida repairs valves. Despite her rarity, Valentina has been brought back to life through Larry’s tinkering, trials, and hard work learning the intricacies of pneumatic tubes, valves, instruments, and parts. 

This year, celebrating the Ruby’s 109th anniversary, Valentina rose to the occasion (literally) from the piano pit for a mini concert before being lowered to accompany the century old silent movies on screen. Today, Valentina’s future, under the care of her beau Larry, is bright. 

A Photoplayer Renaissance?

On a somewhat heretical closing note, would it not be wonderful to acquire a musical paper roll of a classic rock song, say, Stairway to Heaven by Led Zeppelin, accompanied by a raucous musical performance by Valentina and Larry? One can only hope. Or, as the original Wurlitzer description states, “We wonder if anything could be more ideal.” 

Wurlitzer Photoplayer Catalog Cover 


[1] Just google Joe Rinaudo. You won’t be disappointed. 

[2] Some things of course should be consigned to obsolescence. Not Valentina. 

[3] Photoplayer, from Wikipedia, accessed August 27, 2023, at https://en.wikipedia.org/wiki/Photoplayer.

Curtains Call

Sometimes historic preservation runs through the Chelan Valley in theatrical ways. In November 2021 Larry Hibbard and Mary Murphy, owners of the 110-year-old Ruby Theatre, reached out to Dr. Wendy Waszut-Barrett concerning the Ruby’s old, dilapidated theatre curtains. Wendy is an international expert in painted theatre scenery restoration and replication at Historic Stage Services in Minnesota. They were particularly interested in Wendy’s interest and availability to replicate the Ruby’s main drape, complete with hand-painted borders.[i] As luck would have it, their interests coincided with Okanogan’s historic Hub Theater gaining national attention when the owners of their 115-year-old building discovered two 60-foot long murals hidden behind plaster during renovations.[ii]

In 2022 Wendy traveled to north central Washington to meet with both theatre owners and upon returning to Minnesota contracted with Liba Fabrics in New York City to create the new draperies for the Ruby, funded in part with a grant from the Washington Trust for Historic Preservation. [iii] In 2023 Historic Stage Services shipped the new plain curtains, valance and side curtains to the Ruby Theatre where they were installed for permanent display.

In April 2024 Wendy traveled from her studio in Minnesota to the Ruby Theatre to paint the draperies. Prior to her departure she replicated the original stencils on the curtains and made several samples to examine on site. Local volunteers, including Patrece Canoy-Barrett and Luke Roehl, assisted Wendy with painting and hanging the curtains. Wendy observed that the gold paint in the stencils “reflects light beautifully, especially in low-light conditions.”[iv]

Wendy Waszut-Barrett stenciling the curtains. Courtesy: Larry Hibbard.

A Second Act

During the 1920s it was common for theatre curtains to feature hand-painted advertisements. Advertising curtains were a way for local businesses to promote their products and services to theatre patrons. Advertising curtains served a dual purpose: they were both functional and a source of revenue for the theatres.[v]

In 1919 Henrietta “Babe” Kelsey Hendershott’s father, R. L. Kelsey, took over managing the theatre and later took ownership. The Kelsey family lived in a two room “apartment” behind the screen for several years. [vi]

During the frigid depths of the Great Depression, the Chelan Mirror reported on New Year’s Eve, 1931, that Joe Carpenter, a Wenatchee commercial sign painter, was painting a new advertising curtain for the Ruby Theatre. [vii] The center picture shows the high bluffs above Moore’s point, with surrounding advertisements. Babe Hendershott helped Joe Carpenter paint the screen and sold ads on the curtain to local businesses.

Joe Carpenter painted signs on rock possibly Eathquake Point of Ribbon Cliff.
Rock of Broken Mountian.

Joe Carpenter sign painting, possibly Earthquake Point of Ribbon Cliff. Courtesy: Lake Chelan Historical Society.

Chelan Mirror article on painting the new advertising curtain by Joe Carpenter, December 31st, 1931. Courtesy: Lake Chelan Historical Society.

As older theatres modernized, the need for advertising curtains diminished and in 1976 Babe Hendershott donated the advertising curtain to the museum for preservation and display.[viii] During the curtain restoration in April 2024 volunteers moved the advertising curtain from the museum to the Ruby Theatre to temporarily display the advertising curtain in its glory.

Moving the advertising curtain from the Museum to the Ruby Theatre for display, April 2024. Courtesy: Dr. Wendy Waszut-Barrett.

On April 25th, 2024, Wendy presented the newly restored curtains, complete with the hanging advertising curtain. She provided historical context and background with illuminating details on curtain restoration, the dry pigment painting process, and her passion to preserve and celebrate the theatrical heritage, extant scenery conservation, and training artists in distemper painting techniques for the stage.

The advertising curtain painted by Joe Carpenter hanging at the Ruby Theatre, April 2024. Courtesy: Larry Hibbard.

Curtains Take a Curtain Call 

The Ruby Theatre now celebrates the new stenciled curtains and the repainted proscenium arch. As to the advertising curtain painted by Joe Carpenter, the museum and Ruby Theatre are exploring options to hang the curtain at the Ruby Theatre once again.

Next time while enjoying a movie at the Ruby take a moment to appreciate the new hand-painted stenciled curtains and newly painted proscenium arch. And of course, drop by the museum to see the advertising curtain on display. Be sure to read the curtain ads and, as always, shop locally.

A promising encore performance is ahead.


[i] Wendy Waszut-Barrett. May 6, 2024. “Travels of a Scenic Artist and Scholar: Ruby Theatre. Chelan, Washington, April 22-29, 2024”, https://drypigment.net/2024/05/06/travels-of-a-scenic-artist-and-scholar-ruby-theatre-chelan-washington-april-22-29-2024/, accessed August 3, 2024.

[ii] Sara Smart. January 27, 2022. “A couple renovating a 115-year-old building discovered two 60-foot-long hidden murals. CNN, https://www.cnn.com/style/article/couple-discover-murals-during-renovation-trnd/index.htmlaccessed August 3, 2024.

[iii] Grant funding provided by Washington Trust for Historic Preservation. The project was supported in part by a grant from the National Park Service, Department of the Interior.

[iv] Wendy Waszut-Barrett. 2024. Ibid.

[v] Wendy Waszut-Barrett. 2024. Ibid.

[vi] Jon Nuxoll. April 8, 1992. “Life upon the (Ruby Theater) stage”, Chelan Mirror.

[vii] Dennis King. March 16, 2024. “Up the Columbia with a Camera – Wenatchee Drug Company – Joe Carpenter painted signs on rocks possibly Earthquake Point of Ribbon Cliff”,  https://www.facebook.com/groups/997976200763883/?multi_permalinks=1528366801058151&hoisted_section_header_type=recently_seen, accessed August 3, 2024.

[viii] According to Larry Hibbard, the advertising curtain was removed from the theatre before 1947 and most likely replaced in the late 1930s with another advertising curtain.

The corruption within – 2026 Redux

“The more things change…” A look back.

January, 2021. It’s been almost two years since we travelled to Spain with a couple of close relatives and their friends. We had a great time in Spain and I wrote then about the beauty of Spain, and the challenges we faced under who is now thankfully the (past) president. It seems so long ago, looking back at a time when people could travel and the pandemic and its analog, the insurrectionist cancerous president, were prologue…

On a quixotic adventure

March, 2019. We are on a trip to Spain with friends and close relatives. It’s spring in Madrid. I’m struck by the diversity, the beauty of the city and its myriad plazas, world class art museums, street fairs, and above all, its vibrancy. It’s welcoming and seemingly prosperous, comfortable, inviting.  

A food and wine loving group, we are relaxing after a long day of sightseeing, sated by Spanish wines, meats, cheese, grapes, fresh tomatoes and bread. Conversation invariably turns to the state of affairs back home. The thought of a possible second term for Trump enters into the conversation with a dull, inevitable thud, sobering the laughter. Could it be possible and what would it mean? We discuss a flurry of potential ex-pat countries. Most sobering is the seriousness in which different living abroad options are weighed and considered. Living through another Trump term back home is the least preferred option, by far. 

It is not hard to see why. Under this administration we have seen the avowed dismantling of domestic and international regulatory framework in all facets of government. Politicization of constitutional checks and balances. Vitriolic racist rants and shredding of civil and human rights protections against immigrant – regardless of their legal status – resulting in humanitarian crimes at our southern border and abroad. Corrupt denial of global climate change and our country’s role in its genesis and promulgation, risking humanity and our global ecology. Cringeworthy romancing of despots while shunning historic allies. 

The personification of these problems threatening what has been broadly referred to as Pax Americana invariably turns to Trump. In so many ways does he embody and so ably articulate, in his inarticulate prose, the cancerous erosion of our body politic. Arguably he is not a cause so much as a symptom of a nation that refuses to acknowledge the risk to the body politic until the prognosis is too late for therapeutic intervention. 

What’s most troubling, to extend the medical analogy, are the supposed experts who have taken over the mass media narrative advising a gullible and worried patient, the president and his followers. These advisors are nothing more in the end than dystopian ideologues who believe in the insane notion that we are all better off with no government oversight in many if not all spheres of our lives. For years they have preached an ignorant and cynical narrative that all government is corrupt, a distortion and manipulation of the healthy historical skepticism that Americans have always held for concentrated government in the hands of a few. Murdoch, Hannity, Limbaugh and friends preach an excoriation of the rule of law and have become acolytes of the rule of man, or at least of their man, Donald J. Trump. 

And what should we make of this man who ideologically and practically cares nothing about the news he makes as long as it is about him? To travel abroad for a few days is valuable if only to be away from his news coverage. Like a leaf blower on a warm sunny spring morning, the news cycle is best when it’s turned off. But the rub of it is we can’t turn it off because Trump and his circus, this 2-stroke polluting cycle of noise, is destroying a hell of a lot more than a quiet spring morning. 

Most disquieting is that American democratic institutions – designed to preserve and protect our constitutional democracy and ensure the health and prosperity of our nation and its citizens – are under attack not only by external foreign actors but by Americans, who most certainly by and large are not first generation. The foreign actors are more easily understood – they seek to undermine the authority and legitimacy of the United States globally through social media, cyberattacks and other means sowing confusion, falsehoods, and hate, and undermine our democracy by election meddling. Americans from both parties who embrace these tactics show how the cancer has grown. 

The Americans who hide under the cloak of Fox and Friends patriotism while gutting environmental, educational, economic, health and safety protections in order to line their own pockets are ultimately more corrosive than the external threats facing us. By many measures, the United States is a crumbling empire and the population is ravaged by corporate greed manifested in opioid addiction fueled by failed regulatory oversight, creaking infrastructure throughout the country, a broken healthcare system, and worsening environmental conditions. These trends are not irreversible but those Americans plundering the wealth of the country to enrich their already vast takings are the greater danger to our democracy. 

In a plaza in Madrid on a warm spring night, buses and cars stream by, families with children and babies in strollers, lovers, companions, and tourists like us crowd the street. On this beautiful warm Spanish evening, I cannot fully appreciate how Spain, once a global superpower, is now a democratic country that survived the end of a dynasty, civil war, and authoritarian rule, and yet seems to be in a good spot, relatively. And they’re reportedly the healthiest people in the world, to boot. Not a bad place for a former superpower to wind up.

Perhaps too the end of the American dynasty is inevitable. Idiot rulers have certainly presaged the collapse of empires. Nepotism and cronyism are a sure-fire way to destroy a meritocracy; Pruitt, Zinke, Price, DeVos, et al. (I’m losing count) certainly prove that point. Nicholas had Rasputin; Trump has Stephen Miller and friends. 

The elections are coming and surely Trump’s days are numbered? But a travelling companion asks, where will all his followers go? These are people, more than one third of the American electorate I’m told – who reject, even celebrate, the attacks on our government, dispute that climate change exists, express unwavering support for the rule of their man over all others, deny the accusations and established facts, and would willingly sacrifice the very soul of our country symbolized by the Statue of Liberty – immigration. I do not know the answer to my travelling companion’s question. Perhaps demographers have a better answer than I. But I do know that the widespread level of cynicism and hatred of our body politic is a cancer that may ultimately be terminal to the American experiment. 

Inexplicably I retain that most American of traits, naïve optimism. Perhaps it’s this beautiful Spanish evening, with everyone out and about in a plaza filled with conversation, laughter, wine and good companionship. Realizing that being a superpower may just be too much for the USA to handle, perhaps we should just chill and watch the whole goddam thing unfold as it should.

As REM sang so prophetically and resonates with me to this day, it’s the end of the world as we know it, and I feel fine. Or not. 

Postscript, January 2021. Didn’t see that coming! I mean the pandemic, denial of the presidential election results, and insurrection and all. I knew Trump and his acolytes were cancerous to the body politic; just didn’t realize what form(s) it would take. At the time I felt strongly that we were headed in a terrible direction. After Trump’s election I told family and friends with conviction that it would be a miracle if we survived his presidency. At least I got that right, while double masking on trips to the grocery store and waiting impatiently to get a coronavirus vaccination shot. Cheers.

Photographs

Joseph Hauth

Chelan Butte, 2025 ©2025
Simon ©2025
Raven Taking Flight, Santa Fe, New Mexico 2021 ©2025

Claire, Oregon Coast, 2002 ©2025
Mac, 2003 ©2025
Claire and Mac, 2005 ©2025
Trailer life, Christmas 2004 ©2025
Trailer life, Herron Island, 2006 ©2025
1992 Toyota Pickup, 2007 ©2025
Cutthroat trout, Herron Island, 2008 ©2025
4th of July, Herron Island Parade, 2008 ©2025
Child on swing, Herron Island, 2013 ©2025
Claire ©2025
Mac ©2025
Mel ©2025
Firewood, Herron Island, 2015 ©2025
1955 Chevrolet 3100 ©2025
Roadsign, Australia, 1986 ©2025
Protestor, Canberra, Australia, 1986 ©2025
Hotel Corones, Charleville, Queensland, Australia 1986
Aboriginal artwork, Carnarvon Gorge National Park, Australia, 1986 ©2025
Outback Australia, 1986 ©2025
Uluru (Ayers Rock), Outback, Australia1986 ©2025
Driving at night, Outback Australia, 1986 ©2025
Don Quixote and Sancho Panza, Madrid, Spain 2019 ©2025
Sydney, Australia, 1986 ©2025
Sydney, Australia, 1986 ©2025
Herron Cabin, 2019 ©2025
Mt. Rainier, 2020 ©2025
Ohanapecosh River, Mt. Rainier National Park ©2025
Darwin National Park, Queensland, Australia 1986 ©2025
Aboriginal artwork, Carnarvon Gorge National Park, Queensland, Australia 1986 ©2025
Aboriginal artwork, Arches National Park, 2021 ©2025
Roadtrip, Queensland, Australia, 1986 ©2025
Bowling, Sydney, Australia 1986 ©2025
Coca-colonization, King’s Cross, Sydney, Australia 1986 ©2025
Sydney Harbor Bridge, 1986 ©2025
Arches National Park, 2021 ©2025
Arches National Park, 2021 ©2025
Grand Teton National Park, 2021 ©2025
Grand Teton National Park, 2021 ©2025
Grand Teton NP, 2021 ©2025
Simon and Dylan, 2022 ©2025
Mt. Adams from Dege Peak, Sunrise, Mt. Rainier National Park ©2025
Hanford Nuclear Reservation, B Reactor train, 2023 ©2025
Hanford Nuclear Reservation, B Reactor, 2023 ©2025
1955 Chevrolet 3100, 2024 ©2025
Lone Point Cellars, Brewster, WA 2022 ©2025
Wildfire smoke, Chelan, WA 2021 ©2025
Arches National Park, 2021 ©2025
Springdale, Arizona 2021 ©2025
Olga Mountains, Outback Australia, 1986 ©2025
Outback Australia, 1986 ©2025
Outback Australia, 1986 ©2025
Outback Australia, 1986 ©2025
Seattle, Washington 1987 ©2025
Inter Glacier, Mt. Rainier National Park, 1987 ©2025
Wildfire smoke, Chelan, WA 2018 ©2025
Chelan Butte, Chelan, Washington 2017 ©2025
Herron Island, Washington 2015 ©2025
Oregon Coast, 2015 ©2025
1955 Chevrolet 3100, ©2025
Salt Spring Island, Canada 2013 ©2025

1955 Chevrolet 3100 “First Series” Advanced Design Pickup Truck

This is Mel, a 1955 Chevrolet 3100 series pickup. He is so named after my Uncle Merald who owned this truck in Pasco, Washington for many decades until I acquired him in 2010. Since none of the kids could pronounce let alone spell Merald, we just called him Uncle Mel. As a child I loved to climb all over the truck and pretend I was driving him in the garage when we would visit Uncle Mel and Aunt Bernie in Pasco during the holidays. It inspired a love of vehicles that I cherish to this day. This was his personal work truck. Mel.

As I was growing up I used to always ask Mel when he would sell the truck to me. He would smile and say, “I sold it to Matthew (his grandson and my godson) for a nickel.” Despite my offer to double the price, he graciously declined.

When Uncle Mel passed away in 2009, Aunt Bernie asked if I was still interested in the truck… We brought him back to Lake Forest Park and he’s been with us ever since. 75,000 original miles and going strong…

Details:

  • 1955 “First Series” Chevrolet 3100 pickup – the last of the “Advanced Design” body style first launched in 1947 – replaced mid-year 1955 with the “Task Force” model
  • Built in Oakland, CA
  • 235 c.i. straight six cylinder engine with 6V electrical system and oil bath air filter
  • Original 4 speed Hydramatic transmission – rare for these trucks
  • Sold to Uncle Mel for $725 in 1958 (approximately $1,400 new- about $16,500 today)
  • Original paint (mostly), lightly coated with Penetrol to preserve the patina
  • Lived in Pasco until 2010, then Lake Forest Park, and now Chelan
IMG_1260
IMG_1264

Engine rebuild receipts from 1963 and 1965:

Additional repairs:

  • Rebuilt carburetor
  • New transmission seals, U-joints, fuel pump, oil pan gasket, rear main seal, pinion seal, automatic transmission repainted and restored automatic shift points
  • New brake pads, master brake cylinder, brake lines, brake fluid
  • New tires, shocks, distributor cap, rotor, spark plugs, spark plug wires
  • Rebuilt heater radiator core, new radiator hoses, clamps, thermostat, antifreeze, fan belt
  • Oil changes.

This is a special truck with a great background. Of particular value is its originality, lack of rust in any meaningful sense for a vehicle of this age (mostly garaged its entire life in dry eastern Washington), and a family history dating back to Uncle Mel’s purchase in 1958. (You can even see the chalk marks on the engine firewall during manufacturing indicating optional automatic transmission and mirrors.) Today Mel enjoys exploring the orchards and vineyards around the Chelan Valley.

Hydramatic transmission removed, cleaned, and repainted with new seals
Newly sealed and painted Hydramatic transmission

Rainier Chautauqua

2nd Climb – each step is a gift (in dedication to my mother)

I don’t remember much about this climb. It was 1997. My mother had died the year before from Lou Gehrig’s disease, or ALS. ALS is amyotrophic lateral sclerosis, a disease that causes the death of neurons that control voluntary muscles, ultimately resulting in total paralysis. The bitter irony is that the mind is perfectly fine, all the way until death. You are mindfully trapped over the course of several years as your body decays until your lungs can no longer sustain breathing. And then you die. A truly wicked fate.

I have often thought about my mother’s disease and wonder if there is any connection to Hanford, now the world’s most contaminated radioactive waste site in the world. She met dad in the late 1950’s after emigrating from Ireland, the oldest girl in a family of eight children from County Mayo, born on St. Patrick’s Day. Her mother was known as Mamie Joyce, her father Patrick Henaghan, a farmer and landowner. Their family survived the Famine; my rough understanding is that they were accomplished and relatively secure. My great grandfather built the church on the Reek, Croagh Patrick. When visiting Ireland my uncles would proudly point out land that had been in the family for generations, bridges and houses built, relatives who were doctors, lawyers, people of prominence.

Mom emigrated to New York in the early 1950s for surely what would a woman of strength and character achieve in what was then an extremely patriarchal culture? Her oldest brother was the favored one, and he became a renowned doctor in Newfoundland. The second oldest brother became a priest who came to America. And what would become of Mary? A nun? A caretaker for the younger siblings? She headed for the United States. There are so many questions I have for her about that courageous and fateful decision that remain unanswered to this day.

Her certificate of naturalization is dated April 6, 1954 (coincidentally the same day as my father’s birthday). My father was at the time a chemical engineer at the Hanford site producing weapons-grade plutonium; mom was employed for GE as a secretary in New York City. Her brother was then a priest assigned to the wilds of eastern Washington. He introduced my devout Catholic father to her while pastor at Christ the King Catholic Church in Richland, and the rest, they say, is history.

My mother Mary raised five children in the hot (sic) southeastern Washington desert town of Richland at a time when the Hanford site released radioactive contamination across the desert, agricultural fields and towns while producing weapons-grade plutonium. After mom died in 1996 my father suffered and recovered from stomach cancer. A brother survived another cancer. The cancers, my mother’s ALS, other chronic family ailments. Could there be a connection to Hanford?

The Mountain has been home to these thoughts over the years on many trails, switchbacks of thoughts leading upward in a search for answers where glaciers now recede under cobalt sky. Thinking of Richland, home is a curious notion.

I have been searching for a home since my earliest childhood. I am a child of the nuclear defense complex, born and raised in Richland, Washington, a city spawned by the federal government for the sole purpose of building nuclear weapons-grade plutonium to annihilate the Japanese in World War II, and then possibly (and God willing, the Richland community was willing) the Russians. The focal point of my existence was atomic energy and fission, the splitting of atoms and communities.

Until I was five we lived in an older part of Richland, “older” a relative term confined to the past twenty years of the town’s existence. My family lived in a ranch house on Cottonwood Drive, World War II tract housing built and paid for by the government to house Manhattan Project and Atomic Energy Commission employees. Like the name suggests, Cottonwood Drive had trees of the street’s namesake, an unusual landscape feature in eastern Washington since the natural landscape is mostly scrub desert and sagebrush. The cottonwoods were planted to shield the town from the dust that blew during construction of the Manhattan Project. Yet Richland is really scrubland desert. The most romantic appellation for the area is a winery in Benton City called Kiona, an Indian name meaning, “Brown Hills”. 

Richland area, 1984

I was very fond of that small rambler “ranch house” constructed by the federal government to house Hanford workers and their families. It is there where I made childhood friendships in the cool shade on 100 degree days. My parents, myself and three brothers lived there until my sister, the fifth child, arrived. My father then bought a 3,500 square foot split-level in north Richland that was selling for $30,000 in 1968. With an open floor plan and fighting siblings, I hated it and always missed the ranch house. 

North Richland

The city center—if such a place truly existed, for it was really only a geographic point, not a cultural center—was the Federal Building, where government bureaucrats continue operating the Hanford nuclear energy complex, its new mission now to clean up the massive radioactive contamination.  From an economic perspective, I would argue it’s the greatest Keynesian project ever created; irradiate a massive area with radioactive isotopes over a few decades with half-lives numbering in thousands and millions of years, then spend decades trying to clean the mess up. Brilliant economic development strategy.

When visitors came, my father invariably suggested a visit to the Hanford Science Center. There we operated a robotic arm used to simulate the handling of plutonium and were given irradiated marbles as souvenirs. It was a strangely insular town; we rarely visited the neighboring farming and ranching communities that comprise the eastern Washington landscape. Richland had nothing in common with these communities.

Growing up in a suburb without a city, Richland lacked the social fabric normally associated with an agricultural or industrial base, or indeed, any town with any sort of history. When your social history is based exclusively on creating weapon-grade plutonium whose sole use was mass destruction—or today, cleaning up the mess left behind—then simple things like 4H, annual parades, community history, and museums are totally lacking or weak in comparison to an older town that has at least been on the map for 50 years, let alone a century a two. 

Rattlesnake Mountain

Our history was recent, but forever changed our future. The cold warriors were still alive when I came of age. The flash of white light in New Mexico and the annihilation at Hiroshima and Nagasaki were pages in our grade school history books, recent memories confined to the chilling dust. Eighteen years had passed between the bombing of Hiroshima and the time I was born in 1963, a mere breath in the life of plutonium. But in human terms, the Cold War in Richland was a golden age, Arthurian in its quest for domination over our enemies, a holy war of technology steeped in goodness. We were the sons and daughters of the creators of the most powerful human creation, fission. It engulfed our hearts, our souls, our bodies, even the names of our storefronts. 

Radiation was in our kitchen. As mom cooked dinner, dad regaled us with the promise and benefits of nuclear inventions, eyes bright with the telling of newly published research taking place at the Hanford laboratories. It was in our homes, literally. Workers carried radioactive material back in their clothes into their homes or radioactive materials mixed with the dust that blew constantly over Richland throughout each successive construction phase. It became literally a part of us. To this day I can only wonder if Hanford caused my mother’s death from Lou Gehrig’s disease, a brother’s cancer, my father’s cancer. 

Radiation was in our churches. In our congregations on Sundays, we prayed for strength and redemption and power against the communists while protecting our way of life. 

Radiation was in our stores and our streets. Atomic Lanes. Atomic Dry Cleaners. Proton Lane, Argon. Memorialized war generals on green street signs crossing Richland in a militaristic grid. Patton, McArthur, George Washington Way. Leslie Groves Park. 

Radiation was in our schools. We were the Richland Bombers and the Hanford Falcons. “Nuke ‘em till they glow” was an idiom I remember from high school. When your mascot is a mushroom cloud, all others pale in comparison. 

I went to Hanford High School. New children from other places arrived constantly during the boom period of commercial nuclear power plant construction in the 1970s amid renewed attempts to continue the military mission. A small contingent of kids were from outlying farming communities but mostly we were the children of scientists, doctors, and lawyers from the American national laboratory complex—Los Alamos, Oak Ridge, Savannah River, Brookhaven. 

We were privileged as teenagers, bereft of any history or sense of community. The desert offered us places where keggers and parties were held in primitive rituals of bonfires, teenage sex, alcohol and drugs. In the distance away from the glare of the bonfire and the headlights of four-wheel drive pickups you could see sodium lights at the Area as it was called, illuminating some of the most sophisticated inventions of destruction created in history. Neanderthals with nuclear power. 

Growing up in Richland during the 1970s, the glow of what we had burned in Japan was rubbed to a patina, a trophy hung in memory of a great battle won and cherished. Now we had turned the radioactive swords into a plowshare of progress, nuclear energy. In an age of energy crises, inflation, and Malthusian nightmares, we held the candle that would never stop burning, nuclear power, peaceful nuclear energy the Department of Energy public relations staff reminded us. This promise would redeem Richland, make it whole again for sins we would never make whole, let alone talk about or understand in their enormity against people and the planet itself. 

And so we feverishly turned our energy to that promise, tried to build five nuclear power plants in Washington State that would show the world what it meant to live clean, free, and beautiful with peaceful nuclear energy. But the dream was corrupted by cost overruns, drugs, Wall Street investors, and a multi-billion municipal bond default, the largest of its kind in U.S history by Whoops, the Washington Public Power Supply System (WPPSS). And then came Three Mile Island, Chernobyl, and radiation leaking into the Columbia River. 

WPPSS
Originally Washington Public Power Supply System, aka WHOOPS

As teenagers, we were more interested in learning the intricacies of adolescent sex and drugs than the chain reaction of fissile materials in a power plant. We weren’t the workers who died of strange cancers from building graphite blocks and operating the plutonium production reactors. We weren’t the scientists who marveled for the first time at the beautiful horror they had created. We weren’t the generals who righteously unleashed the terror, then replicated it. We were only children living in a desert landscape where Indians once gathered at the confluence of three rivers later discovered by Lewis and Clark, the Snake, Yakima, and Columbia. No longer imbued with the war mission or need to keep all things secret against a by then crumbling Soviet Red Scare, our community, or at least this collection of suburbs without a city, was as ephemeral as the energy it tried to capture. 

Richland’s city center, despite highway signs to the contrary, was the Area, the Hanford Site, the focal point for community, life, religion, and community wholeness, and that center was classified as secret, the key to its center held by bureaucrats working at the Federal Building, in turn controlled by their superiors in the nation’s capitol three thousand miles away. Thus the community’s sense of purpose, its reason for being, rose and fell on national security decisions rather than crop yields or factory orders.  In a quest to overcome undemocratic control through oppressive centralized government bureaucracies, the United States created Richland and other communities like it throughout the national “defense complex” that were largely undemocratic, centralized government bureaucracies. My father, a supporter of nuclear energy, with his keen sense of humor, also loved Pogo, the cartoon character who once declared, “We have seen the enemy, and they is us.”

In the fight against Reagan’s Evil Empire, we created our own communities where status was defined not by your civic contributions but by the level of your security clearance, where the success of your work was based on your academic success in nuclear physics and political access, not your ability to harvest a crop or build a house. A place where your father could not tell you what he did for a living in fear of violating a security requirement and risking government reprisal, let alone speaking out against the moral outrage of nuclear weapons or waste now threatening Richland itself and the entire Columbia River watershed. 

I slowly began to learn what home is. Home is a sense of the land, a place to settle and cherish for what it provides as well as for what is to remain sacred and untrammeled. Home is a sense of community, of people’s lives and contributions to one’s community, stories passed and threaded into a woven history through the generations in oral and written retelling. Home is a sense of a well-built house that acknowledges, accedes to, and aspires to its natural surroundings. Home is a place where you would want your daughters, your sons, and your grandchildren to thrive. 

Richland has the vestiges of community, of home. It has service clubs, churches, shops and restaurants, mostly franchises and hotel chains and “big box” retail stores owned by corporations located elsewhere. Today the Richland economy is more diversified; the wine industry is growing, it is a regional center for healthcare, and new startup companies offset the work out at Hanford. That is all for the good. 

Yet when I came of age in Richland, the roots were as shallow as the sagebrush and tumbleweeds blowing in the chocolate brown clouds of sand that obscured the desert sky every spring when the doomed commercial nuclear plants were being constructed. Without a true center, there was no community, no natural cultural space to call one’s own, no sense of home in Richland. 

Perhaps Richland is the ultimate social equivalent of Carl Sagan’s nuclear winter, not a physical wasteland (as horrific and probable as that may seem today), but instead the place that I grew up in: a place without a true community center, a culture with no culture, a desert in which the brightest flame may burn but which we cannot control or ever safely tend.

My mother began showing symptoms of ALS, this crippling disease, shortly after my wife Susan and I married in 1991. At first we thought is was multiple sclerosis (MS), but it progressively worsened. Stairs became a challenge, then an impossibility. A cane, then a walker, then forever bound to an easy chair while my father wore out his back lifting her into and out of a wheelchair. Dad insisted on caring for her without aid until the family finally convinced him to retire and move to an assisted living facility in Issaquah, where mom spent her final days. 

I was with mom and dad at Virginia Mason medical center in Seattle the day of the final diagnosis. A process of elimination – we had hoped (!) it was progressive MS, which was at least manageable. It was not to be. The doctor gave us the final diagnosis in a small hospital examination room. She cried silently as he pronounced her death sentence. Mom passed away October, 1996 while I was preparing for my first legislative session. 

Our daughter Claire arrived in February 1997. I had taken a job as a policy analyst for the Washington state legislature the prior summer as a non-partisan committee staffer and had spent a long legislative session trying to learn the ropes in the midst of family trials and grief and illnesses and death. We had moved to Olympia and it was a strange experience after leaving Seattle with a strong support network – don’t ask about the wisdom of this – to find ourselves alone raising our infant daughter. (Advice to future legislative staffers: think seriously about working a legislative session if you have a newborn on the way.)

In spring of 1997 my friend Knox, who I met in Australia, approached me about climbing the mountain through the Rainier Mountaineering Incorporated (RMI) guide service. Against my better judgment I agreed and my wife acceded to the request.

Again,  Rainier as touchstone, a place to reconnect the pieces. It was especially powerful for me to dedicate the climb to my mother, who had lost all mobility due to her tragic disease. I felt blessed to work out, running and trying to gain strength for the climb, in memory of her. 

I could hardly say no. I met Knox as companion Rotary Foundation Scholars in 1986 at the University of Sydney. We took some amazing road trips throughout Australia together along with another Rotary Scholar from South Carolina and a host of other students we had gotten to know at International House, the dormitory where we lived. I admired Knox for his tenacity and desire always to seek out new adventures in Australia.

Knox arrived from Florida. I picked him up at Sea-Tac airport and we went to Rainier and had a short camping trip. We took the RMI classes in self-arrest and prepared for the climb with about 20 others. By now I knew this would be a cattle climb up the Disappointment Cleaver route, referred by experienced climbers as the dog run.  It would not be like the first climb, the five of us novices led by an experienced climber. I missed Mick and that team. The DC route as it’s called is not technically difficult though physically demanding as I knew so well from my first summit attempt eight years prior. 

I don’t remember much of the climb – was that glorious sunrise over Little Tahoma on the first trip? or this one? Members on the rope team – one of several rope teams led up the Mountain by RMI – were strangers from around the country. Knox had been assigned to another team. I was alone in my thoughts.

My most vivid memory is, having attained the summit, Knox rested with others while I and a few others unroped and walked across the summit crater to sign the guidebook. At that point my emotions came flooding in recalling the battle that my mother had waged, and ultimately lost. With tears streaking across my face and freezing on my cheeks, I walked across the summit crater dome and found my way to the steel post where climbers sign their name in memory of the climb. That was for mom. The Mountain gave me the best opportunity to pay my last respects, and for that I am ever grateful. Home.

Trip to Rainier with mom and dad, 1991

Donate to the ALS Association: http://www.alsa.org

Some selected readings on Hanford: